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Keywords: post

Historical Items

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Item 66515

Post office, Kennebunkport, ca. 1938

Contributed by: Boston Public Library Date: circa 1938 Location: Kennebunkport Media: Linen texture postcard

Item 18168

Sebago Post Office, 1925

Contributed by: Sebago Historical Society Date: circa 1925 Location: Sebago Media: Postcard

Item 20236

New Sweden Post Office, ca. 1938

Contributed by: New Sweden Historical Society Date: circa 1938 Location: New Sweden Media: Photographic print

Tax Records

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Item 52765

42-44 Free Street, Portland, 1924

Owner in 1924: Trustees, Bosworth Post #2 G A R Use: Veterans Hall

Item 52733

104-110 Free Street, Portland, 1924

Owner in 1924: Lucy A Libby Use: Store

Item 88179

Morse property, W. Side Island Avenue, Peaks Island, Portland, 1924

Owner in 1924: Retta Morse Use: Dwelling & Post Office

Architecture & Landscape

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Item 110149

U.S. Post Office, Portland, 1932

Contributed by: Maine Historical Society Date: 1932 Location: Portland; Portland Client: United States Post Office Architect: John Calvin Stevens John Howard Stevens Architects

Item 110190

Addition to the Branch Post Office for the Free Street Corporation, Portland, 1943-1949

Contributed by: Maine Historical Society Date: 1943–1949 Location: Portland Client: United States Post Office Architect: John Howard Stevens John Calvin Stevens II Architects

Item 110255

Waterville Federal Building and Post Office, Waterville, 1974-1975

Contributed by: Maine Historical Society Date: 1974–1975 Location: Waterville Client: City of Waterville Architect: Eaton W. Tarbell

Online Exhibits

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Exhibit

Patriotism Shared

Post office clerks began collecting strong red, white, and blue string, rolling it onto a ball and passing it on to the next post office to express their support for the Union effort in the Civil War. Accompanying the ball was this paper scroll on which the clerks wrote messages and sometimes drew images.

Exhibit

A Brief History of Colby College

Colby originated in 1813 as Maine Literary and Theological Institution and is now a small private liberal arts college of about 1,800 students. A timeline of the history and development of Colby College from 1813 until the present.

Exhibit

Carlton P. Fogg, Advocate for Vocational Education

Carlton P. Fogg (1899-1972) was passionate about vocational and technical education. While teaching at the high school level in Waterville, Fogg's lobbying and letter-writing helped create the Kennebec Valley Vocational Technical Institute in 1969.

Site Pages

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Site Page

Lincoln, Maine - Post Office

"Josh Shaw "What if the post office never existed?" The postal service refers to the post offices and mailing."

Site Page

Historic Hallowell - Post Office and Fire Station

"Post Office and Fire Station Hallowell Post OfficeHubbard Free Library Judy Longfellow, Post Woman written by Sam Gilbert Q How old were you…"

Site Page

Early Maine Photography - Post-Mortem & Mourning

"Post-Mortem & Mourning Post Mortem & Mourning Slideshow Click on image to view slideshow In pre-Civil war Maine, death was a frequent…"

My Maine Stories

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Story

“I got around” and “I told a lie”
by anonymous

Marine Corporal Stanley Gunn recalls his training locations and post war Memories

Story

From Istanbul to Machias
by Zeynep Turk

Zeynep Turk talks about moving from Istanbul, Turkey to Machias, Maine for school.

Story

Eighteen and Out!
by Peter and Rebecca Merrill

How we found our way back to Maine.

Lesson Plans

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Lesson Plan

Longfellow Studies: Celebrity's Picture - Using Henry Wadsworth Longfellow's Portraits to Observe Historic Changes

Grade Level: 3-5, 6-8, 9-12 Content Area: Social Studies, Visual & Performing Arts
"In the four quarters of the globe, who reads an American book?" Englishman Sydney Smith's 1820 sneer irked Americans, especially writers such as Irving, Cooper, Hawthorne, and Maine's John Neal, until Henry Wadsworth Longfellow's resounding popularity successfully rebuffed the question. The Bowdoin educated Portland native became the America's first superstar poet, paradoxically loved especially in Britain, even memorialized at Westminster Abbey. He achieved international celebrity with about forty books or translations to his credit between 1830 and 1884, and, like superstars today, his public craved pictures of him. His publishers consequently commissioned Longfellow's portrait more often than his family, and he sat for dozens of original paintings, drawings, and photos during his lifetime, as well as sculptures. Engravers and lithographers printed replicas of the originals as book frontispiece, as illustrations for magazine or newspaper articles, and as post cards or "cabinet" cards handed out to admirers, often autographed. After the poet's death, illustrators continued commercial production of his image for new editions of his writings and coloring books or games such as "Authors," and sculptors commemorated him with busts in Longfellow Schools or full-length figures in town squares. On the simple basis of quantity, the number of reproductions of the Maine native's image arguably marks him as the country's best-known nineteenth century writer. TEACHERS can use this presentation to discuss these themes in art, history, English, or humanities classes, or to lead into the following LESSON PLANS. The plans aim for any 9-12 high school studio art class, but they can also be used in any humanities course, such as literature or history. They can be adapted readily for grades 3-8 as well by modifying instructional language, evaluation rubrics, and targeted Maine Learning Results and by selecting materials for appropriate age level.