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Keywords: henri

Historical Items

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Item 10465

Henry Knox statement of payment to Joseph Cooke, November 16, 1791

Contributed by: Maine Historical Society Date: 1791-11-16 Location: Thomaston; Philadelphia; Thomaston Media: Ink on paper

  view a full transcription

Item 27846

Henry Knox to M Hays, 24 May 1801

Contributed by: The General Henry Knox Museum Date: 1801 Location: Thomaston Media: ink on paper

  view a full transcription

Item 15563

Henry W. Longfellow, ca. 1830

Contributed by: Bowdoin College Library Date: circa 1830 Media: Engraving on paper

Tax Records

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Item 40039

303 St. John Street, Portland, 1924

Owner in 1924: Henry Use: Dwelling - Single family

Architecture & Landscape

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Item 110101

Guest house for Mr. Henry G. Beyer, Cape Elizabeth, 1930

Contributed by: Maine Historical Society Date: 1930 Location: Cape Elizabeth Client: Henry G. Beyer Architect: John P. Thomas

Item 110020

Residence for Henry P. Cox, Western Promenade, Portland, ca. 1898

Contributed by: Maine Historical Society Date: circa 1898 Location: Portland Client: Henry P. Cox Architect: Frederick A. Tompson

Item 110073

Elevator in Residence for Mrs. Henry Hill Pierce, Camden, 1930

Contributed by: Maine Historical Society Date: 1930 Location: Camden Client: Mrs. Henry Hill Architect: John P. Thomas

Online Exhibits

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Exhibit

Picturing Henry

Henry Wadsworth Longfellow's popularity in the 19th century is reflected by the number of images of him -- in a variety of media -- that were produced and reproduced, some to go with published works of his, but many to be sold to the public on cards and postcards.

Exhibit

Commander George Henry Preble

George Henry Preble of Portland, nephew of Edward Preble who was known as the father of the U.S. Navy, temporarily lost his command during the Civil War when he was charged with failing to stop a Confederate ship from getting through the Union blockade at Mobile.

Exhibit

Longfellow: The Man Who Invented America

Henry Wadsworth Longfellow was a man and a poet of New England conscience. He was influenced by his ancestry and his Portland boyhood home and experience.

Site Pages

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Site Page

Thomaston: The Town that Went to Sea - Henry Knox: Sources

"… Knox: Sources Sources Used for this Exhibit Henry Knox Wastebook, 1804 - 1805 From the Collections of Montpelier, the General Henry Knox Museum…"

Site Page

Thomaston: The Town that Went to Sea - Henry Knox

"Montpelier, Home of General Henry KnoxThe General Henry Knox Museum Consequently, what gets less attention is Knox's involvement in the development…"

Site Page

Thomaston: The Town that Went to Sea - Henry Knox: Shipping

"Henry Knox: Shipping Shipping the goods that he was producing was an important part of Knox’s business dealings."

My Maine Stories

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Story

The stories my parents told
by Henry Gartley

Stories from my immigrant parents, WWII, and my love of history.

Story

My Vietnam service detailed in Life Magazine
by Henry B. Severance III

My company's service was documented by war photographer Catherine Leroy in Life Magazine.

Story

Dan Gagne: The story behind Biddeford’s legendary speed skater
by Biddeford Cultural & Heritage Center

Stories from a competitive athlete with countless awards and contributions to his community

Lesson Plans

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Lesson Plan

Bicentennial Lesson Plan

Maine's Acadian Community: "Evangeline," Le Grand Dérangement, and Cultural Survival

Grade Level: 9-12 Content Area: English Language Arts, Social Studies
This lesson plan will introduce students to the history of the forced expulsion of thousands of people from Acadia, the Romantic look back at the tragedy in Henry Wadsworth Longfellow's famous epic poem Evangeline and the heroine's adoption as an Acadian cultural figure, and Maine's Acadian community today, along with their relations with Acadian New Brunswick and Nova Scotia residents and others in the Acadian Diaspora. Students will read and discuss primary documents, compare and contrast Le Grand Dérangement to other forced expulsions in Maine history and discuss the significance of cultural survival amidst hardships brought on by treaties, wars, and legislation.

Lesson Plan

Longfellow Studies: An American Studies Approach to Henry Wadsworth Longfellow

Grade Level: 6-8, 9-12 Content Area: English Language Arts, Social Studies
Henry Wadsworth Longfellow was truly a man of his time and of his nation; this native of Portland, Maine and graduate of Bowdoin College in Brunswick, Maine became an American icon. Lines from his poems intersperse our daily speech and the characters of his long narrative poems have become part of American myth. Longfellow's fame was international; scholars, politicians, heads-of-state and everyday people read and memorized his poems. Our goal is to show that just as Longfellow reacted to and participated in his times, so his poetry participated in shaping and defining American culture and literature. The following unit plan introduces and demonstrates an American Studies approach to the life and work of Longfellow. Because the collaborative work that forms the basis for this unit was partially responsible for leading the two of us to complete the American & New England Studies Masters program at University of Southern Maine, we returned there for a working definition of "American Studies approach" as it applies to the grade level classroom. Joe Conforti, who was director at the time we both went through the program, offered some useful clarifying comments and explanation. He reminded us that such a focus provides a holistic approach to the life and work of an author. It sets a work of literature in a broad cultural and historical context as well as in the context of the poet's life. The aim of an American Studies approach is to "broaden the context of a work to illuminate the American past" (Conforti) for your students. We have found this approach to have multiple benefits at the classroom and research level. It brings the poems and the poet alive for students and connects with other curricular work, especially social studies. When linked with a Maine history unit, it helps to place Portland and Maine in an historical and cultural context. It also provides an inviting atmosphere for the in-depth study of the mechanics of Longfellow's poetry. What follows is a set of lesson plans that form a unit of study. The biographical "anchor" that we have used for this unit is an out-of-print biography An American Bard: The story of Henry Wadsworth Longfellow, by Ruth Langland Holberg, Thomas Y. Crowell & Company, c1963. Permission has been requested to make this work available as a downloadable file off this web page, but in the meantime, used copies are readily and cheaply available from various vendors. The poem we have chosen to demonstrate our approach is "Paul Revere's Ride." The worksheets were developed by Judy Donahue, the explanatory essays researched and written by the two of us, and our sources are cited below. We have also included a list of helpful links. When possible we have included helpful material in text format, or have supplied site links. Our complete unit includes other Longfellow poems with the same approach, but in the interest of time and space, they are not included. Please feel free to contact us with questions and comments.

Lesson Plan

Longfellow Studies: Celebrity's Picture - Using Henry Wadsworth Longfellow's Portraits to Observe Historic Changes

Grade Level: 3-5, 6-8, 9-12 Content Area: Social Studies, Visual & Performing Arts
"In the four quarters of the globe, who reads an American book?" Englishman Sydney Smith's 1820 sneer irked Americans, especially writers such as Irving, Cooper, Hawthorne, and Maine's John Neal, until Henry Wadsworth Longfellow's resounding popularity successfully rebuffed the question. The Bowdoin educated Portland native became the America's first superstar poet, paradoxically loved especially in Britain, even memorialized at Westminster Abbey. He achieved international celebrity with about forty books or translations to his credit between 1830 and 1884, and, like superstars today, his public craved pictures of him. His publishers consequently commissioned Longfellow's portrait more often than his family, and he sat for dozens of original paintings, drawings, and photos during his lifetime, as well as sculptures. Engravers and lithographers printed replicas of the originals as book frontispiece, as illustrations for magazine or newspaper articles, and as post cards or "cabinet" cards handed out to admirers, often autographed. After the poet's death, illustrators continued commercial production of his image for new editions of his writings and coloring books or games such as "Authors," and sculptors commemorated him with busts in Longfellow Schools or full-length figures in town squares. On the simple basis of quantity, the number of reproductions of the Maine native's image arguably marks him as the country's best-known nineteenth century writer. TEACHERS can use this presentation to discuss these themes in art, history, English, or humanities classes, or to lead into the following LESSON PLANS. The plans aim for any 9-12 high school studio art class, but they can also be used in any humanities course, such as literature or history. They can be adapted readily for grades 3-8 as well by modifying instructional language, evaluation rubrics, and targeted Maine Learning Results and by selecting materials for appropriate age level.