Maine Memory Network

Theatre program advertising, Lubec, 1940, 1940

Contributed by: Lubec Historical Society Date: 1940 Location: Lubec Media: Ink on paper

'Exhibition of Pictures' program, Portland, 1923

Contributed by: Maine Historical Society Date: 1923-12-15 Location: Portland Media: Ink on paper

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Assessor's Record, Clement property, S. Side Oak Avenue, Peaks Island, Portland, 1924

Owner in 1924: Lizzie Clement

Assessor's Record, 100-102 Allen Avenue, Portland, 1924

Owner in 1924: Rose Low Use: Dwelling - Single family

Broad Street Arcade, Bangor, 1974-1984

Contributed by: Maine Historical Society Date: 1974–1984 Location: Bangor; Bangor Client: unknown Architect: Eaton W. Tarbell

Picturing Henry

Henry Wadsworth Longfellow's popularity in the 19th century is reflected by the number of images of him -- in a variety of media -- that were produced and reproduced, some to go with published works of his, but many to be sold to the public on cards and postcards.

MHS in Pictures: exploring our first 200 years

Two years after separating from Massachusetts, Maine leaders—many who were part of the push for statehood—also separated from Massachusetts Historical Society, creating the Maine Historical Society in 1822. The legislation signed on February 5, 1822 positioned MHS as the third-oldest state dedicated historical organization in the nation. The exhibition features MHS's five locations over the institution's two centuries, alongside images of leaders who have steered the organization through pivotal times.

Bath's Historic Downtown - Dreamland and Liberty

"… Bath they would want to see a play or a motion picture (in later years) at the Dreamland. This was one of the reasons the Dreamland had a…"

Bath's Historic Downtown - Church Block

"A typical picture, like the Hatch portrait of the little girls, was elaborately printed in gilded letters that advertised his good taste, location…"

Geraldine Litalien: painting a picture of life in Biddeford
by Biddeford Cultural & Heritage Center

Impact on everyday life from events occurring from the late 1920s through 2018

Movie Theaters in Portland Maine in the 1940s
by Ralph Bolduc

Ralph Bolduc shared his memories growing up in the movie theaters of Portland Maine in the 1940s.

Longfellow Studies: Celebrity's Picture - Using Henry Wadsworth Longfellow's Portraits to Observe Historic Changes

Grade Level: 3-5, 6-8, 9-12 Content Area: Social Studies, Visual & Performing Arts
"In the four quarters of the globe, who reads an American book?" Englishman Sydney Smith's 1820 sneer irked Americans, especially writers such as Irving, Cooper, Hawthorne, and Maine's John Neal, until Henry Wadsworth Longfellow's resounding popularity successfully rebuffed the question. The Bowdoin educated Portland native became the America's first superstar poet, paradoxically loved especially in Britain, even memorialized at Westminster Abbey. He achieved international celebrity with about forty books or translations to his credit between 1830 and 1884, and, like superstars today, his public craved pictures of him. His publishers consequently commissioned Longfellow's portrait more often than his family, and he sat for dozens of original paintings, drawings, and photos during his lifetime, as well as sculptures. Engravers and lithographers printed replicas of the originals as book frontispiece, as illustrations for magazine or newspaper articles, and as post cards or "cabinet" cards handed out to admirers, often autographed. After the poet's death, illustrators continued commercial production of his image for new editions of his writings and coloring books or games such as "Authors," and sculptors commemorated him with busts in Longfellow Schools or full-length figures in town squares. On the simple basis of quantity, the number of reproductions of the Maine native's image arguably marks him as the country's best-known nineteenth century writer. TEACHERS can use this presentation to discuss these themes in art, history, English, or humanities classes, or to lead into the following LESSON PLANS. The plans aim for any 9-12 high school studio art class, but they can also be used in any humanities course, such as literature or history. They can be adapted readily for grades 3-8 as well by modifying instructional language, evaluation rubrics, and targeted Maine Learning Results and by selecting materials for appropriate age level.

Wabanaki Studies: Stewarding Natural Resources

Grade Level: 3-5 Content Area: Science & Engineering, Social Studies
This lesson plan will introduce elementary-grade students to the concepts and importance of Traditional Ecological Knowledge (TEK) and Indigenous Knowledge (IK), taught and understood through oral history to generations of Wabanaki people. Students will engage in discussions about how humans can be stewards of the local ecosystem, and how non-Native Maine citizens can listen to, learn from, and amplify the voices of Wabanaki neighbors to assist in the future of a sustainable environment. Students will learn about Wabanaki artists, teachers, and leaders from the past and present to help contextualize the concepts and ideas in this lesson, and learn about how Wabanaki youth are carrying tradition forward into the future.