Search Results

Keywords: The County

Historical Items

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Item 36720

Cover of the Washington County Magazine, Machias, 1912, 1912

Contributed by: Lubec Historical Society Date: 1912 Location: Machias Media: Ink on paper

Item 15618

Penobscot County jury, Bangor, ca. 1910

Contributed by: Bangor Daily News / Bangor Public Library Date: circa 1910 Location: Bangor Media: Photographic print

Item 28484

Sagadahoc County Courthouse, 1997

Contributed by: Patten Free Library Date: 1997 Location: Bath Media: Photographic print

Architecture & Landscape

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Item 116606

Cumberland County Courthouse, Portland, 1917-1947

Contributed by: Maine Historical Society Date: 1917–1947 Location: Portland; Portland; Portland Client: Cumberland County Architect: John Calvin Stevens and John Howard Stevens Architects

Item 111984

Somerset County Court House, Skowhegan, 1873-1904

Contributed by: Maine Historical Society Date: 1873–1904 Location: Skowhegan Client: Somerset County Architect: John Calvin Stevens

Item 116481

York County Trust Co., York, 1921-1923

Contributed by: Maine Historical Society Date: 1921–1923 Location: York; Kittery Client: York County Trust Co. Architect: John Calvin Stevens and John Howard Stevens Architects

Online Exhibits

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Exhibit

Washington County Through Eastern's Eye

Images taken by itinerant photographers for Eastern Illustrating and Publishing Company, a real photo postcard company, provide a unique look at industry, commerce, recreation, tourism, and the communities of Washington County in the early decades of the twentieth century.

Exhibit

Aroostook County Railroads

Construction of the Bangor and Aroostook rail lines into northern Aroostook County in the early twentieth century opened the region to tourism and commerce from the south.

Exhibit

Lincoln County through the Eastern Eye

The Penobscot Marine Museum’s photography collections include nearly 50,000 glass plate negatives of images for "real photo" postcards produced by the Eastern Illustrating and Publishing Company of Belfast. This exhibit features postcards from Lincoln County.

Site Pages

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Site Page

Bath's Historic Downtown - The Sagadahoc County Courthouse

"… Sagadahoc County Courthouse, located in Bath, the county seat, serves the following towns: Bath, Arrowsic, Georgetown, Woolwich, West Bath…"

Site Page

Presque Isle: The Star City - The History of Laundry, Aroostook County Style - Page 1 of 2

"She has lived in The County all her life, so giving me the information was easy. Rena’s mother, Sadie, usually had a tub, which she filled with water…"

My Maine Stories

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Story

Growing up on a potato and dairy farm
by Paula Woodworth

Life growing up and working on a potato and dairy farm was hard work but fun in Aroostook County.

Story

Ronald Ramsay - MLTI impact in Washington County's MSAD 37
by MLTI Stories of Impact Project

Ronald Ramsay describes the impact of the arrival of on-to-one laptops in MSAD 37.

Story

Wikpiyik: The Basket Tree
by Darren Ranco

Countering the Emerald Ash Borer with Wabanaki Ecological Knowledge

Lesson Plans

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Lesson Plan

Longfellow Studies: The American Wilderness? How 19th Century American Artists Viewed the Separation Of Civilization and Nature

Grade Level: 9-12 Content Area: Social Studies, Visual & Performing Arts
When European settlers began coming to the wilderness of North America, they did not have a vision that included changing their lifestyle. The plan was to set up self-contained communities where their version of European life could be lived. In the introduction to The Crucible, Arthur Miller even goes as far as saying that the Puritans believed the American forest to be the last stronghold of Satan on this Earth. When Roger Chillingworth shows up in The Scarlet Letter's second chapter, he is welcomed away from life with "the heathen folk" and into "a land where iniquity is searched out, and punished in the sight of rulers and people." In fact, as history's proven, they believed that the continent could be changed to accommodate their interests. Whether their plans were enacted in the name of God, the King, or commerce and economics, the changes always included – and still do to this day - the taming of the geographic, human, and animal environments that were here beforehand. It seems that this has always been an issue that polarizes people. Some believe that the landscape should be left intact as much as possible while others believe that the world will inevitably move on in the name of progress for the benefit of mankind. In F. Scott Fitzgerald's The Great Gatsby – a book which many feel is one of the best portrayals of our American reality - the narrator, Nick Carraway, looks upon this progress with cynicism when he ends his narrative by pondering the transformation of "the fresh green breast of a new world" that the initial settlers found on the shores of the continent into a modern society that unsettlingly reminds him of something out of a "night scene by El Greco." Philosophically, the notions of progress, civilization, and scientific advancement are not only entirely subjective, but also rest upon the belief that things are not acceptable as they are. Europeans came here hoping for a better life, and it doesn't seem like we've stopped looking. Again, to quote Fitzgerald, it's the elusive green light and the "orgiastic future" that we've always hoped to find. Our problem has always been our stoic belief system. We cannot seem to find peace in the world either as we've found it or as someone else may have envisioned it. As an example, in Miller's The Crucible, his Judge Danforth says that: "You're either for this court or against this court." He will not allow for alternative perspectives. George W. Bush, in 2002, said that: "You're either for us or against us. There is no middle ground in the war on terror." The frontier -- be it a wilderness of physical, religious, or political nature -- has always frightened Americans. As it's portrayed in the following bits of literature and artwork, the frontier is a doomed place waiting for white, cultured, Europeans to "fix" it. Anything outside of their society is not just different, but unacceptable. The lesson plan included will introduce a few examples of 19th century portrayal of the American forest as a wilderness that people feel needs to be hesitantly looked upon. Fortunately, though, the forest seems to turn no one away. Nature likes all of its creatures, whether or not the favor is returned. While I am not providing actual activities and daily plans, the following information can serve as a rather detailed explanation of things which can combine in any fashion you'd like as a group of lessons.

Lesson Plan

Immigration: The Not So Open Door

Grade Level: 9-12 Content Area: Social Studies
Learn about immigration in the United States using primary sources from Maine Memory Network and the Library of Congress.

Lesson Plan

Bicentennial Lesson Plan

Teddy Roosevelt, Millie, and the Elegant Ride Companion Curriculum

Grade Level: 3-5, 6-8 Content Area: Social Studies
These lesson plans were developed by Maine Historical Society for the Seashore Trolley Museum as a companion curriculum for the historical fiction YA novel "Teddy Roosevelt, Millie, and the Elegant Ride" by Jean. M. Flahive (2019). The novel tells the story of Millie Thayer, a young girl who dreams of leaving the family farm, working in the city, and fighting for women's suffrage. Millie's life begins to change when a "flying carpet" shows up in the form of an electric trolley that cuts across her farm and when a fortune-teller predicts that Millie's path will cross that of someone famous. Suddenly, Millie finds herself caught up in events that shake the nation, Maine, and her family. The lesson plans in this companion curriculum explore a variety of topics including the history of the trolley use in early 20th century Maine, farm and rural life at the turn of the century, the story of Theodore Roosevelt and his relationship with Maine, WWI, and the flu pandemic of 1918-1920.