Keywords: Maine artist
Item 102550
Contributed by: Maine Historical Society Date: circa 1910 Media: Photographic print
Item 12373
Mary Lane McMillan, Rome, 1933
Contributed by: Hollingsworth Fine Arts Date: circa 1933 Location: Rome; Belgrade Lakes Media: Printed black and white photo in original brochure
Item 111471
Moulton residence elevations, Falmouth, 2008-2009
Contributed by: Maine Historical Society Date: 2008–2009 Location: Falmouth Client: Bessie Moulton Architect: Carol A. Wilson; Carol A. Wilson, Architect
Item 111596
Patterson studio, Cape Elizabeth, 1925
Contributed by: Maine Historical Society Date: 1925 Location: Cape Elizabeth Client: C. R. Patterson Architect: John Calvin Stevens and John Howard Stevens Architects
Exhibit
Capturing Arts and Artists in the 1930s
Emmie Bailey Whitney of the Lewiston Journal Saturday Magazine and her husband, noted amateur photographer G. Herbert Whitney, captured in words and photographs the richness of Maine's arts scene during the Great Depression.
Exhibit
These stories -- that stretch from 1999 back to 1759 -- take you from an amusement park to the halls of Congress. There are inventors, artists, showmen, a railway agent, a man whose civic endeavors helped shape Portland, a man devoted to the pursuit of peace and one known for his military exploits, Maine's first novelist, a woman who recorded everyday life in detail, and an Indian who survived a British attack.
Site Page
"Some Maine artists offered the option to have portraits painted based on photographic images. Others used photography to document their work and…"
Site Page
Early Maine Photography - Occupational
"In contrast is the elegant appearance of Portland artists John Greenleaf Cloudman and Charles Frederick Kimball."
Story
Scientist Turned Artist Making Art Out of Trash
by Ian Trask
Bowdoin College alum returns to midcoast Maine to make environmentally conscious artwork
Story
One View
by Karen Jelenfy
My life as an artist in Maine.
Lesson Plan
Wabanaki Studies: Stewarding Natural Resources
Grade Level: 3-5
Content Area: Science & Engineering, Social Studies
This lesson plan will introduce elementary-grade students to the concepts and importance of Traditional Ecological Knowledge (TEK) and Indigenous Knowledge (IK), taught and understood through oral history to generations of Wabanaki people. Students will engage in discussions about how humans can be stewards of the local ecosystem, and how non-Native Maine citizens can listen to, learn from, and amplify the voices of Wabanaki neighbors to assist in the future of a sustainable environment. Students will learn about Wabanaki artists, teachers, and leaders from the past and present to help contextualize the concepts and ideas in this lesson, and learn about how Wabanaki youth are carrying tradition forward into the future.
Lesson Plan
Grade Level: 3-5, 6-8, 9-12
Content Area: Social Studies, Visual & Performing Arts
"In the four quarters of the globe, who reads an American book?" Englishman Sydney Smith's 1820 sneer irked Americans, especially writers such as Irving, Cooper, Hawthorne, and Maine's John Neal, until Henry Wadsworth Longfellow's resounding popularity successfully rebuffed the question. The Bowdoin educated Portland native became the America's first superstar poet, paradoxically loved especially in Britain, even memorialized at Westminster Abbey. He achieved international celebrity with about forty books or translations to his credit between 1830 and 1884, and, like superstars today, his public craved pictures of him. His publishers consequently commissioned Longfellow's portrait more often than his family, and he sat for dozens of original paintings, drawings, and photos during his lifetime, as well as sculptures. Engravers and lithographers printed replicas of the originals as book frontispiece, as illustrations for magazine or newspaper articles, and as post cards or "cabinet" cards handed out to admirers, often autographed. After the poet's death, illustrators continued commercial production of his image for new editions of his writings and coloring books or games such as "Authors," and sculptors commemorated him with busts in Longfellow Schools or full-length figures in town squares. On the simple basis of quantity, the number of reproductions of the Maine native's image arguably marks him as the country's best-known nineteenth century writer. TEACHERS can use this presentation to discuss these themes in art, history, English, or humanities classes, or to lead into the following LESSON PLANS. The plans aim for any 9-12 high school studio art class, but they can also be used in any humanities course, such as literature or history. They can be adapted readily for grades 3-8 as well by modifying instructional language, evaluation rubrics, and targeted Maine Learning Results and by selecting materials for appropriate age level.