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Keywords: Love

Historical Items

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Item 19031

John Neal on love and happiness, ca. 1815

Contributed by: Maine Historical Society Date: 1815 Location: Baltimore; Portland Media: Ink on paper

  view a full transcription

Item 105041

William Allen Love, ca. 1861

Contributed by: Maine Historical Society Date: 1861 Media: Tintype

Item 13301

Sam Love, Haynesville, ca. 1890

Contributed by: Aroostook County Historical and Art Museum Date: circa 1890 Location: Haynesville Media: Photographic print

Tax Records

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Item 86356

Love property, Church Road, Cliff Island, Portland, 1924

Owner in 1924: Albert E. Love Use: Shed

Item 37803

178-180 Congress Street, Portland, 1924

Owner in 1924: Catherine Love Use: Dwelling - Three Family

Item 37804

180 Congress Street, Portland, 1924

Owner in 1924: Catherine Love Use: Dwelling - Single family

Architecture & Landscape

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Item 111483

True Love Project interior elevations, Freeport, 1995

Contributed by: Maine Historical Society Date: 1995 Location: Freeport Client: True Love Project Architect: Carol A. Wilson; Carol A. Wilson, Architect

Online Exhibits

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Exhibit

Land Claims, Economic Opportunities?

The landmark 1980 Maine Indian Land Claims Settlement Act provided $81.6 million to Maine Indians for economic development, land purchase and other purposes. The money and increased land holdings, however, have not solved economic and employment issues for Maine Indians.

Exhibit

Drawing Together: Art of the Longfellows

Henry Wadsworth Longfellow is best know as a poet, but he also was accomplished in drawing and music. He shared his love of drawing with most of his siblings. They all shared the frequent activity of drawing and painting with their children. The extended family included many professional as well as amateur artists, and several architects.

Exhibit

Valentines

Valentines Day cards have long been a way to express feelings of romance or love for family or friends. These early Valentines Day cards suggest the ways in which the expression of those sentiments has changed over time.

Site Pages

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Site Page

Western Maine Foothills Region - For The Love Of Paper - Page 1 of 4

"For The Love Of Paper Text by Elliott E. “Bud” Burns, David Gawtry, and Nghia Ha Images provided by The Greater Rumford Area Historical Society…"

Site Page

Western Maine Foothills Region - For The Love Of Paper - Page 2 of 4

"For The Love Of Paper CHANGING OF THE HELM – FATHER TO SON Construction of B Machine at Oxford Paper Company, Rumford, 1915Greater Rumford…"

Site Page

Western Maine Foothills Region - For The Love Of Paper - Page 3 of 4

"For The Love Of Paper THIRD GENERATION CHISHOLM LEADER William H. Chisholm was the third generation of his family to become President of Oxford."

My Maine Stories

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Story

This Girl Loves Seaweed
by Marianne

Marianne played with seaweed as a child now she collects photos of others with seaweed.

Story

Tammy Ackerman: Falling in love with Biddeford
by Biddeford Cultural & Heritage Center

Someone "from away" who fell in love with Biddeford and contributed to its transformation

Story

Love is greater than peace, For peace is founded upon love
by Parivash Rohani

My journey from Iran to Maine

Lesson Plans

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Lesson Plan

Portland History: "My Lost Youth" - Longfellow's Portland, Then and Now

Grade Level: 6-8, 9-12 Content Area: English Language Arts, Social Studies
Henry Wadsworth Longfellow loved his boyhood home of Portland, Maine. Born on Fore Street, the family moved to his maternal grandparents' home on Congress Street when Henry was eight months old. While he would go on to Bowdoin College and travel extensively abroad, ultimately living most of his adult years in Cambridge, Massachusetts, he never forgot his beloved Portland. Years after his childhood, in 1855, he wrote "My Lost Youth" about his undiminished love for and memories of growing up in Portland. This exhibit, using the poem as its focus, will present the Portland of Longfellow's boyhood. In many cases the old photos will be followed by contemporary images of what that site looked like 2004. Following the exhibit of 68 slides are five suggested lessons that can be adapted for any grade level, 3–12.

Lesson Plan

Longfellow Studies: The Acadian Diaspora - Reading "Evangeline" as a Feminist and Metaphoric Text

Grade Level: 6-8, 9-12 Content Area: English Language Arts, Social Studies
Evangeline, Longfellow's heroine, has long been read as a search for Evangeline's long-lost love, Gabrielle--separated by the British in 1755 at the time of the Grand Derangement, the Acadian Diaspora. The couple comes to find each other late in life and the story ends. Or does it? Why does Longfellow choose to tell the story of this cultural group with a woman as the protagonist who is a member of a minority culture the Acadians? Does this say something about Longfellow's ability for understanding the misfortunes of others? Who is Evangeline searching for? Is it Gabriel, or her long-lost land of Acadia? Does the couple represent that which is lost to them, the land of their birth and rebirth? These are some of the thoughts and ideas which permeate Longfellow's text, Evangeline, beyond the tale of two lovers lost to one another. As the documentary, Evangeline's Quest (see below) states: "The Acadians, the only people to celebrate their defeat." They, as a cultural group, are found in the poem and their story is told.

Lesson Plan

Longfellow Studies: Celebrity's Picture - Using Henry Wadsworth Longfellow's Portraits to Observe Historic Changes

Grade Level: 3-5, 6-8, 9-12 Content Area: Social Studies, Visual & Performing Arts
"In the four quarters of the globe, who reads an American book?" Englishman Sydney Smith's 1820 sneer irked Americans, especially writers such as Irving, Cooper, Hawthorne, and Maine's John Neal, until Henry Wadsworth Longfellow's resounding popularity successfully rebuffed the question. The Bowdoin educated Portland native became the America's first superstar poet, paradoxically loved especially in Britain, even memorialized at Westminster Abbey. He achieved international celebrity with about forty books or translations to his credit between 1830 and 1884, and, like superstars today, his public craved pictures of him. His publishers consequently commissioned Longfellow's portrait more often than his family, and he sat for dozens of original paintings, drawings, and photos during his lifetime, as well as sculptures. Engravers and lithographers printed replicas of the originals as book frontispiece, as illustrations for magazine or newspaper articles, and as post cards or "cabinet" cards handed out to admirers, often autographed. After the poet's death, illustrators continued commercial production of his image for new editions of his writings and coloring books or games such as "Authors," and sculptors commemorated him with busts in Longfellow Schools or full-length figures in town squares. On the simple basis of quantity, the number of reproductions of the Maine native's image arguably marks him as the country's best-known nineteenth century writer. TEACHERS can use this presentation to discuss these themes in art, history, English, or humanities classes, or to lead into the following LESSON PLANS. The plans aim for any 9-12 high school studio art class, but they can also be used in any humanities course, such as literature or history. They can be adapted readily for grades 3-8 as well by modifying instructional language, evaluation rubrics, and targeted Maine Learning Results and by selecting materials for appropriate age level.