Search Results

Keywords: Cabinets

Historical Items

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Item 1408

Chinese cabinet, Bellas-White House, Wiscasset, 1939

Contributed by: Maine Historical Society Date: 1939-07-19 Location: Wiscasset Media: Photographic print

Item 100760

Katherine Denison, Portland, ca. 1890

Contributed by: Maine Historical Society Date: circa 1890 Location: Portland Media: Cabinet photograph

Item 17131

Creamery cabinet, ca. 1900

Contributed by: Southern Aroostook Agricultural Museum Date: circa 1900 Location: Portland; Poultney Media: Wood, metal

Tax Records

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Item 32344

55 Alder Street, Portland, 1924

Owner in 1924: Zafiris Vamvakias et als Style: Utilitarian Use: Mill - Cabinet Works

Item 59818

Assessor's Record, 69-85 Kennebec Street, Portland, 1924

Owner in 1924: Gist Blair Use: Factory - Cabinet Works

Item 59819

69-85 Kennebec Street, Portland, 1924

Owner in 1924: Gist Blair Use: Factory - Cabinet Works

Architecture & Landscape

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Item 109198

Senator & Mrs. Owen Brewster display cabinet, Dexter, 1947

Contributed by: Maine Historical Society Date: 1947 Location: Dexter Client: Senator Owen Brewster Architect: Eaton W. Tarbell

Online Exhibits

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Exhibit

Maine Politicians, National Leaders

From the early days of Maine statehood to the present, countless Maine politicians have made names for themselves on the national stage.

Exhibit

MHS in Pictures: exploring our first 200 years

Two years after separating from Massachusetts, Maine leaders—many who were part of the push for statehood—also separated from Massachusetts Historical Society, creating the Maine Historical Society in 1822. The legislation signed on February 5, 1822 positioned MHS as the third-oldest state dedicated historical organization in the nation. The exhibition features MHS's five locations over the institution's two centuries, alongside images of leaders who have steered the organization through pivotal times.

Exhibit

CODE RED: Climate, Justice & Natural History Collections

Explore topics around climate change by reuniting collections from one of the nation's earliest natural history museums, the Portland Society of Natural History. The exhibition focuses on how museums collect, and the role of humans in creating changes in society, climate, and biodiversity.

Site Pages

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Site Page

Maine Department of Transportation

View collections, facts, and contact information for this Contributing Partner.

Site Page

John Martin: Expert Observer - Joseph Mitchell and Mutual Store wagon, Bangor, 1865

"… price. Martin described Joseph Mitchell as "a cabinet maker & joiner who had worked for Shaw & Merrill & then was at work for F Muzzy & co on…"

Site Page

Music in Maine - Music Makers

"1890Maine Historical Society Bruns worked as a cabinet maker with the W. A. Allen Company making stairs, columns, and other architectural elements."

My Maine Stories

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Story

Harold's Garage, Rome Hollow, Maine
by Mimi C

Story about Harold Hawes, owner of Harold's garage and self-styled auctioneer in Rome Hollow, Maine

Story

Vietnam Memoirs
by David Chessey

MY PERSONAL EXPERIENCES AND MY OBSERVATION OF NATIONWIDE OPINIONS CONCERNING THE “VIET NAM" WAR

Lesson Plans

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Lesson Plan

Longfellow Studies: Celebrity's Picture - Using Henry Wadsworth Longfellow's Portraits to Observe Historic Changes

Grade Level: 3-5, 6-8, 9-12 Content Area: Social Studies, Visual & Performing Arts
"In the four quarters of the globe, who reads an American book?" Englishman Sydney Smith's 1820 sneer irked Americans, especially writers such as Irving, Cooper, Hawthorne, and Maine's John Neal, until Henry Wadsworth Longfellow's resounding popularity successfully rebuffed the question. The Bowdoin educated Portland native became the America's first superstar poet, paradoxically loved especially in Britain, even memorialized at Westminster Abbey. He achieved international celebrity with about forty books or translations to his credit between 1830 and 1884, and, like superstars today, his public craved pictures of him. His publishers consequently commissioned Longfellow's portrait more often than his family, and he sat for dozens of original paintings, drawings, and photos during his lifetime, as well as sculptures. Engravers and lithographers printed replicas of the originals as book frontispiece, as illustrations for magazine or newspaper articles, and as post cards or "cabinet" cards handed out to admirers, often autographed. After the poet's death, illustrators continued commercial production of his image for new editions of his writings and coloring books or games such as "Authors," and sculptors commemorated him with busts in Longfellow Schools or full-length figures in town squares. On the simple basis of quantity, the number of reproductions of the Maine native's image arguably marks him as the country's best-known nineteenth century writer. TEACHERS can use this presentation to discuss these themes in art, history, English, or humanities classes, or to lead into the following LESSON PLANS. The plans aim for any 9-12 high school studio art class, but they can also be used in any humanities course, such as literature or history. They can be adapted readily for grades 3-8 as well by modifying instructional language, evaluation rubrics, and targeted Maine Learning Results and by selecting materials for appropriate age level.