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Keywords: Weaving

Historical Items

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Item 23113

Palm weaving, Saint Agatha, ca. 1980

Contributed by: Ste. Agathe Historical Society Date: circa 1980 Location: Saint Agatha Media: Palm frond

Item 102408

Asa Burns weaving, New Portland, ca. 1910

Contributed by: Stanley Museum on deposit at Maine Historical Society Date: circa 1910 Location: New Portland Media: Lantern slide, hand colored

Item 23114

Palm weavings, Saint Agatha, ca. 1980

Contributed by: Ste. Agathe Historical Society Date: circa 1980 Location: Saint Agatha Media: Palm fronds

Online Exhibits

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Exhibit

Silk Manufacturing in Westbrook

Cultivation of silkworms and manufacture of silk thread was touted as a new agricultural boon for Maine in the early 19th century. However, only small-scale silk production followed. In 1874, the Haskell Silk Co. of Westbrook changed that, importing raw silk, and producing silk machine twist threat, then fabrics, until its demise in 1930.

Exhibit

Biddeford, Saco and the Textile Industry

The largest textile factory in the country reached seven stories up on the banks of the Saco River in 1825, ushering in more than a century of making cloth in Biddeford and Saco. Along with the industry came larger populations and commercial, retail, social, and cultural growth.

Exhibit

Samplers: Learning to Sew

Settlers' clothing had to be durable and practical to hold up against hard work and winters. From the 1700s to the mid 1800s, the women of Maine learned to sew by making samplers.

Site Pages

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Site Page

Historic Clothing Collection - Outerwear 1800-1830

"1810Maine Historical Society Sarah Bowman Winter's "fancy weave" coat, Bath, ca. 1825Maine Historical Society"

Site Page

Historic Clothing Collection - 1870-1890 - Page 1 of 4

"Many twist mills now switched to weaving broad silks, as did the Haskell Silk Company in 1883."

Site Page

Historic Clothing Collection - Lace and fringe trimmed walking dress, ca. 1865 - Page 1 of 4

"The skirt is lined with an open weave cotton, and the bottom of the skirt is lined with a Moiré, or rippled effect, black horsehair."

My Maine Stories

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Story

Co-founding Halcyon Yarn and learning to weave
by Hector Jaeger

Moving to Maine, Halcyon Yarn, and rediscovering the joy of weaving

Story

Welimahskil: Sweet grass
by Suzanne Greenlaw

Weaving Indigenous Knowledge (IK) and western science around Sweetgrass

Story

Tapestry, Seine Twine and Burlesque
by Barbara Burns

My work as a tapestry artist and dancer in Maine.